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Of the first of two transitional albums in which Dylan moved beyond protest, and then beyond folk music.
Both the lyrics and music have gotten deeper and Dylan's trying more things -- this, in its construction and attitude, is hardly strictly folk, as it encompasses far more than that.
The result is one of his very best records, a lovely intimate affair.
Dylan had remained, in front of us, or writing from the north country, and remained true. He was not the only one, of course, he is not the only one now. But of all the poets, Dylan is the one who has most clearly taken the roiled sea and put it in a glass.
The baby-faced Bob Dylan staring out from the cover of his self-titled 1962 debut album would soon become the musical spokesman of a generation.
Recorded in three short days in January 1965 Bringing It All Back Home found Dylan "going electric"
Taking the first, electric side of Bring It All Back Home to its logical conclusion, Bob Dylan hired a full rock & roll band
Rolling Stone 500 Greatest Albums of All Time - Rated 4/500!
Teeming with organic energy, palpable voltage, and countless textures, the LP faithfully recreates the dimensions, vibes, and events associated with the six days Dylan and Co. spent at Columbia’s Studio A. Everything from the soundstages to dynamics, instrumental separation to balances, resonates with enormous might and insightful perspective. Wider grooves mean more information reaches your ears.
This is a must have for any serious Dylan fan or music lover.