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Annie has been singing wondrously well, with strong swing, peppery bite, archness and potent feeling since 1950 when first I heard her in Paris.  But, until Richard Bock made the dead right decision to record la Ross with Gerry Mulligan, Annie's perambulating orchard has been almost shut except to those peripatetic addicts who got hooked on Ross in the jazz backyards of Paris, London and New York.

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