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A four-song (side A) sampler from Anthony Ortega’s highly regarded album
For years, the Concerto for Orchestra has been not only the most-played of Bartoks works, but also the most frequently performed among other contemporary scores.
You too can be "Back on the Scene" with Bennie Green
This Requiem calls for immense instrumental and vocal resources used not only for power but also for the most subtle and varied refinement of color.
This is the last album Bill Evans made for his first label. That fact alone would give this at least historical significance; and there is surely also some importance to its being one of only two occasions on which the pianist was recorded for Riverside during "live" performance (the other, of course, resulted in the classic pair of Village Vanguard albums).
Billie was never only bitter or only playful or only love-struck or only love-lost. She was a multi-dimensional woman, and she'd experienced more than enough to know how many shades of grey one experiences in an hour or a day.
She was able to tell more meaningful and more perenially evocative stories than any of her contemporaries.
When Cannonball Adderley scheduled the 1958 recording of what was to be his only Blue Note LP
When Cannonball Adderley scheduled the 1958 recording of what was to be his only Blue Note LP. QUIEX SV-P
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In red box set.
When Cannonball Adderley scheduled the 1958 recording of what was to be his only Blue Note LP, he called on his old employer from their days as quintet members on Columbia, Miles Davis.
The highest compliment one can pay Charlie, and it can be paid with complete assurance, is that this is one album they will really dig in Rio.
Recorded in 1962 by Rudy Van Gelder at the Englewood Cliffs studio...