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Remastered by Sean Magee at Abbey Road Studios
After this first album, Bobbie moved into a more MOR groove, which in a way makes this such a stand out and important album. Very highly recommended especially as it has now been re-mastered at Abbey Road by Sean Magee.
Brahms’s Cello Sonatas could well be described as “romantic expression dressed in classical garb" Take Starker's cello is bold, woodsy and seated with proper perspective near Sebok's piano. The performances recorded here are lively, romantic and heartfelt...An outstanding pair of performances in equally outstanding sound. What more could you want? This is a must own issue!!
A linchpin release in 1967, this album defined the genre known as acid-rock. Country Joe and The Fish's debut album, was one of the first psychedelic albums to come out of San Francisco in 1967. Many timed their acid trips to peak during Country Joe and The Fish performances at The Avalon or The Fillmore, where they were frequent performers.
A veritable audiophile delicacy - lovingly preserved historic microphones, a mixing desk consisting of nostalgic V72 amplifiers and W85 regulators, the analogue M5 Telefunken tape recorder - each item a legend in itself!
A Baroque Delight for the Ears.
Biber did not have this work printed, unlike most of his compostions. The whole thing was able to pass as a musical amusement but to the ears and eyes of outside listeners it would seem like amateur nonsense.
Sonically, this record - made in 1956/57 - is one of the best ever produced by DECCA. The listener is literally swept off his or her feet.
The composer employs a massive orchestra and rich orchestral colouring to portray each planet in his musical psychogram.
Also at CLIFF WALK was Abbey Lincoln, who in the past year has broken completely free of her former image as a sultry supper club puppet and is now bitingly, boldly herself. Her pungent, proudly self-assertive TAIN'T NOBODY'S BIZNESS here is one of her freest performances on record.